The goal of so many dreamers, who stake their hopes upon it.
Well, let me tell you now, young heart: Being published is extremely easy. It also has never mattered so little. Everyone has a book, nowadays. There’s a global competition to write one in a month every Autumn.
What most people do not discuss when they reveal their desire to write a book is that they really crave attention. They want to be approved of, to get the rush of affirmation that being published gives. To see your creation, your thoughts, your work and skill in someone else’s hands, to see them pouring your energy into their very core through the grimoires that you authored. It is something that easily lights a young heart, especially in a creative one.
So if getting published is easy and means very little, you now have to change how you think and redefine your goals, young writer. If you really want that, there are a thousand simpler and easier ways to get it. Go volunteer. Get skilled at something and offer free classes. Or do the hard part and write a book and do the time and invest the energy to get it published and popular. It takes a lot of doing, especially the traditional way, and the publishing industry has its many dirty secrets about just how fair it really is hidden just as deep as Hollywood did before this last year. Money and power go to every system’s head until they break down, and then someone forges a new system and it repeats. Let me give you the best piece of advice I ever got: Don’t publish to be published, publish when you have an effect you want to see happen.
I wrote a full three-hundred thirty-five page book in high school, and had storyboarded another one in middle school and written many of the scenes. I could have attempted to publish either of them, and likely could have gotten enough support and knowhow to succeed and see them up online or in my local bookstores. I did not. I chose not to, even after all the hours typing away, reading fastidiously and fretting over a comma. The only thing it would have done is stroked my ego, because my work was garbage even though the ideas and characters and stories still hold up well to my eye. Just trash. If I had them published, I would have to marry that work as the starting pieces of my writing career.
So here I am, years later, with a book I am proud to have published and out on the market. It is published under a brand that was eager to have it, and I am thrilled to be writing the rest of the series now, one for each of the four seasons. Once I find a place where I want the two stories I wrote in my teenage years to strike for effect—be it money, brand identity, audience-building, teaching, some higher purpose than my own ego—I will go back and rewrite them with the skills I have sharpened and developed and forged anew.
So practice, and never fear being strict in your criticism. Compare yourself with the people who are out there, making money and visiting their rabid fan clubs and signing books to loyal readers. Young heart, curate your future and take your time making sure the foundation is thick and strong and placed upon solid ground.
You will never regret it, and some things cannot be undone or redone as easily as a manuscript. Guard your name and reputation, for once you put something in writing it stays.